Showing posts with label places. Show all posts
Showing posts with label places. Show all posts

Saturday, November 06, 2010

Where The Wild Things Are (Not)



I read Maurice Sendak's Where the Wild Things Are only in 1996 or so. My brother-in-law, Tom, had sent it for my son, Rituraj, who was four or five. But it was only a few years later that I really got engrossed in the book and story. I had been in Jerusalem on work, and in the end of my stay, had visited the Holocaust Museum. There I learnt about Dr Janusz Korczak, in the Warsaw ghetto, and then read about him in the book The King of Children. Talking about my visit to the museum with colleagues in my office, the idea of a film took shape in my mind, a musical, an animated musical, on Dr Korczak. Refusing to abandon the children who were his wards in his orphanage, he had walked along with them, all singing in chorus, to the gas chambers in Treblinka. For me, that would be the climax of the film, an expression of the indomitable, indefatigable human spirit, through which he rises from this mortal world, and temporal enemies, and becomes immortal. Yes, it was a terrifying, tragic moment, but also one of heroism, and hence a moment to celebrate, and thus honour. My colleagues wondered whether people could accept a celebratory musical on the holocaust, and referred to Life is Beautiful, which was then running in the cinema hall.

After my return to Calcutta and Talimi Haq School, in Howrah, Janusz Korczak was always on my mind. The idea of a drama production by the children of our school arose in my mind, from reading about such things done by Korszak. Somehow, in this context, the idea of doing a drama production of Where The Wild Things Are took root. For that is one heck of a book and story!

Written in 1963, it is about a naughty boy, Max, who is sent up to his room, as punishment, by his mother. And there begins his fantasy, this angry naughty boy's fantasy ... of being wild. And so he voyages, to where the wild things are, and has himself a wild, wild time, with the wild things, before returning home, and ... (I won't say more).

Where The Wild Things Are is one of the world's most read, most loved and most sold children's books.

The images in the book, of the wild characters, spurred within me the project of making costumes and stage props to bring the book to life with exactness, in a production titled "Jidhar Jangli Cheez Hain". All to be done by the children and their teachers. So, for several weeks I was in a world of my own, immersed in thinking about and planning the production and the fund-raising means to support all this.

Anyway, nothing happened. Life went on.

So, when some months ago, I learnt through television about a film version of Where the Wild Things Are, notwithstanding the general impassiveness with which I tend to relate to most things nowadays, it did evoke a feeling of interest and happy expectation. I got the film some days ago, and watched it yesterday.

One could say the film is based on the book. But it's NOT the book. Its much more, with all kinds of impositions to the very short, very simple story. In fact the story is so short, and so threadbare, while being so explosively full of fun and mischief and innocence, that it poses a challenge to any dramatiser or film-maker. While seeking to add substance to the original story so as to give something for the film to stand upon, it actually diminishes the original story. And that takes the cake. The film is something else altogether. As if driven by the logic of the unnecessary impositions, it goes on and on, and goes ... to some places ... which are not wild, just ... gimme a break, who wants to see this rubbish.

The whole point of the film is its name, which is the name of THE BOOK. So to see a film of that name and find something else - after one has invested goodwill to watch, and want to like it - is disapponting, annoying. Soon one begins to dislike it, and watches it probably only out of inertia, or out of academic interest, to see where else it goes. It drags, it hangs, it's unconvincing. As if the entire assembled cast have to somehow do something or the other to fill the time alotted for the film.

The little boy, Max, the central character of the story - tries his best, but he has no chance, given the mish-mash mess the screenplay is. So it ends up being a mis-cast.

Perhaps someone who has never read or SEEN the book may like things about the film. It is a lavish production, with an evidently generous budget, enough to see that no efforts were spared, in terms of locale, costumes, effects etc. Money, technology, expertise and creativity all came together under the name. The music and songs - are okay, but not great. That would anyway be another big challenge for any production. In this film, the music and songs do not really take up that challenge.

The film is too long, and needlessly so. Why could it not have been a much, much shorter film? One could do justice to it through animation. But there is also the short film medium. I have no doubt all the lovers of the book would have tried to see and obtain the short film. It could have been a classic. But to decide upon a long film format, a priori, and then alter the story till it is almost unrecognizable in terms of its essentials ... is inexcusable.

In the end, when the credits appear, one learns that the film was co-produced by Maurice Sendak himself. That seems unbelievable. If he allowed the film to appear with his title and his name, one assumes he stands by the film. One wonders how he could have done that. It is also co-produced by, surprise, Tom Hanks! I wonder what he thinks about the film. Is there something I missed? Did they have no idea what a let-down the film is, how it devalues Sendak's brilliant work, and how it diminishes one's goodwill towards him?

One wonders while watching the film - is there something helplessly unstoppable in Hollywood whereby this happens? Whereby what is poor at core, in conception, is wrapped in very expensive trappings? Just because money is there? I had wanted just a small amount of money, to devote specifically to celebrating that book, but that was not to be. Now one understands why JD Salinger never allowed his Catcher in the Rye to be made into a film. I hope this film marks the final burial of Hollywood in my consciousness.

Maurice Sendak has sold himself terribly short.

Thankfully the book remains, and shall remain, long after the film is well-forgotten. Or perhaps it should not be forgotten. It should be a classic How Not To Make film. Maurice Sendak will thankfully continue to be known as the book's creator, despite his error of judgement with the film. The film being forgotten - will also protect the goodwill he enjoys from his readers.

Where The Wild Things Are will continue to inspire creative artists to bring it alive in a fitting manner, so that the viewers love and celebrate that rendition. It poses a terrific creative challenge. But few productions can have the benefit of a name as powerful as that.

Perhaps the best rendition of Where The Wild Things Are would be a musical stage production, by, of and for children, undertaken by oneself. Where producing it as as wild as the book.

I wait, and meanwhile I imagine. There, where perfection is possible, where wild things are.

Thursday, August 20, 2009

Year



Its been quite a year.

In January, I travelled to Pune and then Mumbai, for public policy and academic conferences, and then to Delhi, for a business meeting.

In February I visited my son Rishiraj at the Rishi Valley School, in south India, together with my older son Rituraj.

I was unwell and convalescing during February-April. Nonetheless, I managed to complete a writing assignment, on urban protest in Calcutta. I also completed the translation into English of my colleague Amina's articles on the theme "See the City from Here", about slums.

In May, I was in the capital again, to join a friend in his business development. Having decided that I should leave Calcutta and begin a new livelihood, I corresponded with some schools. So I visited the Sahyadri School, near Pune. Shortly after that I visited the Sholai School, near Kodaikanal, in south India. Sholai had an immense impact on me. A school in a forest in a mountain. A haven of peace and solace, far away from the ugly city. The school was started about 20 years ago by an Englishman, Brian Jenkins. He was keen that I join and help to start a teacher training college there, among other things.

In June, on the invitation of a friend, I joined a rural governance study in the northern districts of West Bengal. That was indeed a strenuous and hectic affair. But also one that was very educative, rewarding and reinvigorating, as it afforded a vision of a new Bengal in the making in the grassroots.

I had to submit the manuscript of my translated stories of the Bengali writer Subimal Misra. I managed to extract the time to complete it in great haste and sent that off in early July.

Shortly after that, I travelled to Assisi in Italy. I was invited to join a week-long international children's camp there, organised by two Italian foundations, on the theme of 'Time of Rights'. I accompanied two children from our Talimi Haq School in Howrah. 28 children from India, Italy and Peru participated in the campus, together with teachers and workshop animators. That was like a continuing epiphany. I was in Ancona and Roma briefly before returning to Calcutta.

A few days latter I went to London. I stayed at the International Students House, at Regents Park, where I had lived as a student during 1982-84. I tramped through my old and favourite haunts. I spent a long time, and a small fortune, in bookshops, indulging my penchant for outstanding specimens of graphic literature, to enlarge the mental horizons of my sons.

I attended my friend Mark's wedding, at the Kings College chapel in Cambridge. I was in Cambridge again after 25 years. How I had wanted nothing more than to be immersed lifelong in study in Cambridge! But that was not to be. But now I sang at the chapel as part of Mark's wedding service. The acoustics in the chapel - quite awesome indeed. Yes, I was an a capella singer alright.

In London, I realised that this was the city I could truly and zestfully call my own, and profess love for. After all, it was where I was born again, where I came to light, where I became a man. And in London, this truly international city, I also became aware, for the first time, of the peculiar circumstance of my life, me, an Indian, in faraway Calcutta, being defined so profoundly by the English language.

I then went to Hannover, in Germany, to initiate a business collaboration with a small German electronics company. They have developed tools and technologies for early child learning and for language learning. I intend to bring that to India. I made a close new friendship, with Ralph, the CEO of the company. A powerful business opportunity, a new chapter in my life, a means for enormous wealth creation. Which would enable public good, with the Talimi Haq School as a small sapling to help grow an enormous Right to Education movement for the country's disprivileged children.

Meanwhile, in the small manufacturing enterprise which I have been managing on behalf of my family, we are at a challenging stage. Much to be done, but through that there is the strong potential of becoming a leading manufacturer in the world in the tiny niche we operate in.

Its still only August. I have some more important trips and journeys to make in the coming months. So far, and especially since June, I have been made, unmade and remade during and through the travels, leaving me feeling like a whirling dervish. Patterns and circles, cycles and symmetries, and synchronicities... life clad in epic raiment, humbling one to silent labour.

Sunday, June 28, 2009

Bengal

I had been travelling in some of the districts of north Bengal (Murshidabad, Dakshin Dinajpur and Koch Bihar). That was a most humbling, educative and inspiring experience. Living in Calcutta, life can be bleak. But my travels through rural Bengal filled me with cheer and hope, as I witnessed the promise of a new dawn for the people in the land of Bengal. A watershed in my life, self-discovery, roots, renewal...

Here are some images from my travels. See the complete set of images here.















Sunday, May 17, 2009

Narcissism and Despair


Love Thy Enemy, by Bogdan Migulski

by Ashis Nandy
The Little Magazine


Interpretations of the events of 9/11, 2001, and the diverse political and intellectual responses to them, have oscillated between a concern with the wrath of the disinherited and exploited and the elements of self-destruction built into a hegemonic system. In this essay, I shall focus on the rage of those who feel they have been let down by the present global system and have no future within it. This feeling has been acquiring a particularly dangerous edge in recent times. For the rage often does not have a specific target but it is always looking for one; and regimes and movements that latch on to that free-floating anger can go far. Indeed, once in a while, their targets too have the same kind of need to search for, and find, enemies. The two sides then establish a dyadic bond that binds them in lethal mutual hatred.[1]

Six years after the event, it is pretty obvious that this time there has been a narrowing of cognitive and emotional range all around. The global culture of commonsense has come to the conclusion that it is no longer a matter of realpolitik and hard-headed, interest-based use of terror of the kind favoured by the mainstream culture of international relations and diplomacy — as for instance the repeated attempts by the CIA over the last six decades to assassinate recalcitrant rulers hostile to the United States — but a terror that is based on the defiance of rationality and abrogation of self-interest, a terror that is deeply and identifiably cultural.

It also seems to insist, to judge by the responses to 9/11, that there are only two ways of looking at this link between terror and culture. One way is to emphasise cultural stereotypes and how they hamper intercultural and inter-religious amity. This emphasis presumes that the West with its freedoms — political and sexual — and its lifestyle, identified in the popular imagination by consumerism and individualism, has come to look like a form of Satanism in many millennial movements, particularly in those flourishing in Islamic cultures. Multiculturalism and intercultural dialogue are seen as natural, if long-term, antidotes to such deadly stereotypes. So is, in the short run, ‘firm’ international policing.

The other way is to locate the problem in the worldview and theology of specific cultures. What look like stereotypes or essentialisations in the former approach are seen as expressions of the natural political self of such cultures in the latter. At the moment, Islam looks like the prime carrier of such a political self but some other cultures are not far behind. The American senator who ridiculed those who wore diapers on their heads did not have in mind only the Muslims; nor did the American motorist who, when caught while trying to run over a woman clad in a sari, declared that he was only doing his patriotic duty after 9/11.

The first way — that of multiculturalism and intercultural dialogue — is of course seen as a soft option, the second as too harsh. However, the second has in the short run looked to many like a viable basis for public policy and political action. The reason is obvious. Terror has been an instrument of statecraft, diplomacy and political advocacy for centuries. To see it as a new entrant in the global marketplace of politics is to shut one’s eyes to the deep human propensity to hitch terror to organised, ideology-led political praxis. Robespierre said — on behalf of all revolutionaries, I guess — that without terror, virtue was helpless. Terror, he went on to claim, was virtue itself.

This propensity has also enjoyed a certain ‘natural’ legitimacy in the dominant global culture of public life when it comes to the serious business of international relations. Despite recent pretensions, in international politics violence does not have to be justified; only non-violence has to be justified. The mainstream global culture of statecraft insists that the true antidote to terror is counter-terror.

In that respect, the killers who struck at New York on 9/11 and the regimes that claim absolute moral superiority over them share some common values. Both believe that when it comes to Satanic others, all terror is justified as long as it is counter-terror and interpreted as retributive justice. Both look like belated products of the twentieth century, which in retrospect looks like a century of terrorism and its natural accompaniment, collateral damage. Guernica, Hamburg, Dresden, Nanking, Tokyo, Hiroshima and Nagasaki are all formidable names in the history of terror and counter-terror, used systematically as political and strategic weapons. On a smaller scale, the same story of attempts to hitch terror to virtue and to statecraft has been repeated in a wide range of situations — from Jallianwalla Bagh to Lidice and from Sharpeville to Mi Lai. The culpable states were sometimes autocratic, sometimes democratic.

Liberal democracy has not often been a good antidote against state terror unleashed by its protagonists. Few are now surprised that some of the iconic defenders of democracy, such as Winston Churchill, were as committed to terror as Robespierre was. Churchill was not only a co-discoverer of the concept of area bombing, as opposed to strategic bombing, he also did not intercede when supplied with evidence, including aerial photographs, of Nazi death camps.

Hence also the widespread tendency to dismiss all talk of fighting terror without recourse to counter-terror as romantic hogwash. It is a basic tenet of the mainstream global culture of politics that only the fear of counter-terror dissuades terrorists from walking their chosen path. Hence also the admiration for the terrorism-fighting skills of a country like Israel in states like Sri Lanka and India and the pathetic attempts of such admirers to use Israeli ‘expertise’, forgetting that Israel has been fighting terror with terror for more than fifty years without success. All that the Israeli state can really take credit for is that, in a classic instance of identifying with its historic oppressors, it has succeeded in turning terrorism into a chronic ailment within the boundaries of the Israeli state, in the process brutalising its own politics and turning many of its citizens into fanatics and racists.

Into this atmosphere has entered a new genre of terrorists during the last few yearsin Palestine, Sri Lanka, India and now the United States. These are terrorists who come in the form of suicide bombers and suicide squads. They come prepared to die and, therefore, are personally and, one might add, automatically immune to the fear of counter-terrorism. Actually, they usually view counter-terrorism — and the reaction it unleashes — as a useful device for mobilisation and polarisation of opinion.[2] This is one thing that the hedonic, death-denying, self-interest-based, individualistic culture of the globalised middle classes just cannot handle. It looks like an unwanted war declared by the death-defying on the death-denying. What kind of person are you if you do not want to keep any options open for enjoying or even seeing the future you are fighting for? What kind of person are you if you do not care what happens to your family, neighbourhood or community in the backlash? To the civilised modern citizen, such suicidal activism looks like the negation of civilisation and the ultimate instance of savagery, apart from being utterly irrational and perhaps even psychotic.

In the nervous, heated discussions about the kamikaze nearly fifty years ago, they often appeared like strange, subhuman adventurers and carriers of collective pathologies, driven by their feudal allegiances and unable to distinguish life from death or good from evil. Recent discussions of the suicide bombers of Hamas, Tamil Tigers of Sri Lanka and Al Qaeda and Jaish-e-Mohammed in Pakistan and Kashmir invoke the same kind of imageries and fantasies. Hence, probably, the abortive attempts to rename suicide bombings as homicide bombings. They invoke such imageries and fantasies because the modern world is always at a loss to figure out how to deter somebody who is already determined to die.

For most of us, this kind of passion has no place in normal life; it can be only grudgingly accommodated in textbooks of psychiatry as a combination of criminal insanity and insane self-destructiveness.

Outside the modern world too, few call it self-sacrifice. For unlike the freedom fighters of India and Ireland who fasted to death during the colonial period as an act of protest and defiance of their rulers, the self-sacrifice of the suicide bombers also includes the sacrifice of unwilling, innocent others, what the civilised world has learnt to euphemistically call unavoidable collateral damage.

Yet, the key cultural-psychological feature of today’s suicide bombers and suicide squads, despair, is not unknown to the moderns. Indeed, the idea of despair has become central to our understanding of contemporary subjectivities and we also acknowledge that it has shaped some of the greatest creative endeavours in the arts and some of the most ambitious forays in social thought in our times. Van Gogh cannot be understood without invoking the idea of despair, nor can Friedrich Nietzsche. So powerful has been the explanatory power of the idea of despair that recently Harsha Dehejia, an Indian art historian, has tried to introduce the concept in the Indian classical theory of art — by extending Bharata’s theory of rasas itself — as an analytic device. Dehejia feels that without recourse to this construct, we just cannot fathom contemporary Indian art.[3]

One suspects that the desperation one sees in the self-destruction of the new breed of terrorists is the obverse of the same sense of despair that underpins so much of contemporary creativity. Only, this new despair expresses itself in strange and alien ways because the cultures from which it comes are not only defeated but have remained mostly invisible and inaudible. Indeed, their sense of desperation may have come not so much from defeat or economic deprivation but from invisibility and inaudibility.[4]

Of the 18 people identified as members of the suicide squad that struck on 9/11, 15 have been identified as Saudis. They come from a prosperous society where dissent in any form is not permitted, where political conformity and silence are demanded and extracted through either state terror or the fear of it. It can be argued that by underwriting the Saudi regime, which also presides over Islam’s holiest sites and has acquired an undeserved reputation in many circles as a prototypical if not exemplary Islamic state, the United States has helped identify itself as the major source of the sense of desperation that the killers nurtured within them. Violence of the kind we saw on 9/11, Johan Galtung and Dietrich Fischer argue, presumes “a very high level of dehumanisation of the victims in the minds of aggressors.”[5] That dehumanisation does not happen in a day, nor can it be conveniently explained away as unprovoked.

Fareed Zakaria of Newsweek and Stephen Schwarz of Spectator have drawn attention to the denominational loyalties of the 18 terrorists. They were Wahhabis, given to an aggressively puritanical form of Islamic revivalist ideology. But all Wahhabis do not turn as aggressive as the Saudi, Palestinian, Pakistani and Pashtun Wahhabis have sometimes done, and certainly all of them do not become suicide bombers. Who does or does not is the question we face.

The answer to that question, we may find out in the coming years, lies not in the ethnic origins or religious connections of terrorism but in the fear of cultures that encourage us not to acknowledge the sense of desperation, if not despair, that is today crystallising outside the peripheries of the known world. It is the adhesive in the new bonding between terror and culture. This desperation may not always be preceded by Nietzschean theocide but it is accompanied by a feeling that God may not be dead but he has surely gone deaf and blind. The Palestinian situation is only one part of the story. The present global political economy has for the first time become almost totally oblivious to the fact that the unprecedented prosperity and technological optimism in some countries have as their underside the utter penury and hopelessness of the many, accompanied by collapse of life support systems due to ecological devastation.[6]

Nothing I have come across reveals the nature of this nihilistic, suicidal despair in some parts of the globe better than the following extract from a journalist’s story. I request the reader to go through it, despite its length:

Aman [Brigadier Amanullah, secretary to Benazir Bhutto and former chief of Pakistan’s military intelligence in Sind, bordering India] noticed me looking at the painting and followed my gaze. … “A rocket ship heading to the moon?” I asked.

“No,” he said. “A nuclear warhead heading to India.”

I thought he was making a joke. … I told Aman that I was disturbed by the ease with which Pakistanis talk of nuclear war with India.

Aman shook his head. “No,” he said matter-of-factly. “This should happen. We should use the bomb.”

“For what purpose?”

He didn’t seem to understand my question.

“In retaliation?” I asked.

“Why not?”

“Or first strike?”

“Why not?”

I looked for a sign of irony. None was visible…

“We should fire at them and take out a few of their cities — Delhi, Bombay, Calcutta,” he said. “They should fire back and take Karachi and Lahore. Kill off a hundred or two hundred million people… and it would all be over. They have acted so badly toward us; they have been so mean. We should teach them a lesson. It would teach all of us a lesson. There is no future here, and we need to start over. So many people think this. Have you been to the villages of Pakistan, the interior? There is nothing but dire poverty and pain. The children have no education; there is nothing to look forward to. Go into the villages, see the poverty. There is no drinking water. Small children without shoes walk miles for a drink of water. I go to the villages and I want to cry. My children have no future. None of the children of Pakistan have a future. We are surrounded by nothing but war and suffering…”[7]

In the bonding between terror and culture, a subsidiary role has been played by the perception that all strange cultures are potentially dangerous and sources of violence, and that multiculturalism is only a means of organising or confederating those cultures that approximate or are compatible with the global middle-class culture — cultures that can be safely consumed in the form of ethnic food, arts, museumised artefacts, anthropological subjects or, as is happening in the case of Buddhism and Hinduism, packaged ethnic theories of salvation. The tacit solipsism of Islamic terrorism and its ability to hijack some of Islam’s most sacred symbols is matched by the narcissism of America’s policy elite that finds expression in an optimism that is almost manic.

At the same time, for a large majority of the world, all rights to diverse visions of the future — all utopian thinking and all indigenous visions of a good society — are being subverted by the globally dominant knowledge systems and a globally accessible media as instances of either romantic, other-worldly illusions or as brazen exercises in revivalism. The Southern world’s future now, by definition, is nothing other than an edited version of the contemporary North’s. What Europe and North America are today, the folklore of the globalised middle class claims, the rest of the world will become tomorrow. Once visions of the future are thus stolen, the resulting vacuum has to be filled by available forms of millennialism, some of them perfectly compatible with the various editions of fundamentalism floating around the global marketplace of ideas today. In the liminal world of the marginalised and the muted, desperation and millennialism often define violence as a necessary means of exorcism.

September 11, Gandhian activist-scholar Rajiv Vora and the Swarajpeeth initiative have recently reminded us, was the day Satyagraha, militant non-violence, was born in Johannesburg in 1906. South Africa at the time was a proudly authoritarian, racist police state, not at all like British India, presided over by an allegedly benign, liberal colonial regime that, some votaries of political realism assure us, ensured the success of Gandhi’s non-violence. Does this coincidence have something to tell us?

One way of understanding the recent changes in the global culture of protest is to offset the despair-driven, suicidal forms of terror against the self-destructive defiance and subversion of authorities, as in the case of the Irish hunger-strikers, whom we have already mentioned. The other way is to compare the new culture of terror with the no less religious, militant nonviolence of a community known all over the globe today for its alleged weakness for religion-based terror in Afghanistan and Pakistan.

Pathans, known for their martial valour and officially declared a martial race by British India in the nineteenth century, have virtually been turned into official symbols of mindless violence. Yet, in India at least, till quite recently they were also the symbols of the non-violence of the courageous and the truly martial. They had been the finest exponents of the art of Gandhian militant non-violence, directed against the British imperial regime in the 1930s.[9] The Pathans who participated in that struggle were exactly the community that has in the last decade produced the Taliban and played host to Osama bin Laden and his entourage. Can this discrepancy or change be explained away only as a result of the efforts of dedicated fundamentalist clerics, the brutalising consequence of the anti-Soviet struggle in Afghanistan, or the skill and efficiency of Inter Services Intelligence, Pakistan’s version of the Central Intelligence Agency? Or does the contradiction exist in the human personality and Pashtun culture itself?[10]

The second possibility cannot be dismissed offhand. The behaviour of ordinary Afghans after the fall of the Taliban regime — in their everyday life and their participation in politics — does not suggest that the Taliban enjoyed decisive support of the people they ruled. Most Afghans seemed genuinely happy to be rid of the harsh, puritanical reign of the Taliban. On the other hand, some of them have obviously helped their guest, bin Laden, and the now-unpopular ruler, Mullah Mohammed Omar, to successfully escape the clutches of the American ground troops.

Who is the real Pathan? The one sympathetic or obedient to the Taliban or the one celebrating the Taliban’s fall? The one known for his martial values or the one who in the 1930s turned out to be the most courageous passive resister, who, according to a number of moving accounts of the Non-Cooperation Movement, faced ruthless baton charges by the colonial police but never retaliated and never flinched? The Pathans evidently brought to their nonviolence the same commitment and fervour that the Afghan terrorists are said to have brought to their militancy in Afghanistan and in other hotspots of the world. Are they as ruthless with themselves now as they were in the 1930s, during colonial times?

I shall avoid answering these questions directly and instead venture a tentative, open-ended comment to conclude. Most cultures enjoin non-violence or at least seek to reduce the area of violence, and these efforts often go hand in hand with cultural theories of unavoidable violence. Only a few like Sparta and the Third Reich glorify, prioritise or celebrate violence more or less unconditionally as the prime mover in human affairs or as the preferred mode of intervention in the world. In the huge majority of cultures that fall in the first category, violence and non-violence both exist in the same persons as human potentialities. The life experiences that underscore one of the two potentialities are the crucial means of entering the mind of the violent and to understand why the violent actualised one of the potentialities and not the other.

The experiences that in our times have contributed to the growth of massive violence can often — though not always — be traced to the collapse of communities and their normative systems. The old is moribund and the new has not yet been born, as the tired cliché goes. In many cases, the powerful and the rich welcomed this collapse because they did not like the norms of other people’s communities.

But flawed norms, one guesses, are norms all the same.

The resulting flux has psychologically disoriented and sometimes devastated a large section of humankind and generated in them a vague sense of loss, anxiety and anger. They live with a sense of loneliness and a feeling that the work they have to do to earn their living, unlike the vocations they previously had, is degrading and meaningless. Those who do not clearly perceive the hand of any agency in these changes often try to contain their anger through consumerism and immersion in the world of total entertainment. But some do identify an agency, correctly or incorrectly. The contemporary terrorists come from among them.

This also means that only by engaging with these experiences can you battle the worldviews or ideologies that organise these experiences into a work-plan for terror. If you are unwilling to negotiate these life experiences, if you consistently deny their existence and legitimacy and the normal human tendency to configure such experiences into something ideologically meaningful, you contribute to and aggravate the sense of desperation and abandonment for many. At least one well-known Palestinian psychiatrist has claimed that in West Asia ‘it is no longer a question of determining who amongst the Palestinian youth are inclined towards suicide bombing. The question is who does not want to be a suicide bomber.’[11]

You then push the desperate and the abandoned towards a small, closed world of like-minded people who constitute a ‘pseudo-community’ of those whose rage and frustration are sometimes free-floating but always seeking expression in nihilistic self-destruction masquerading as self-denying martyrdom.

NOTES

An earlier draft of this paper was presented at a symposium on ‘Edward Said: Speaking Truth to Power,’ organised by the Institute for Research and Development in Humanities, Tarbiyat Modaress University, Tehran University and Center for Dialogue of Civilizations in Tehran, and an expanded version at the Workshop on ‘The Dialogue of Civilizations: Intellectual and Organizational Signposts for the Future’, La Trobe University, Melbourne.

1. Vamik D. Volkan, The Need to Have Enemies and Allies (New York: Jason Aronson, 1988).

2. This is recognised, though in the language of the mainstream, in Michael S. Doran, ‘Somebody Else’s Civil War’, Foreign Affairs, January-February 2002, 81(1), pp. 22-42.

3. Harsha Dehejia with Prem Shankar Jha and Ranjit Hoskote, Despair and Modernity: Reflections from Modern Indian Paintings (Delhi: Motilal Banarsidass, 2000).

4. Partly because American hegemony today is ensured not so much by an army and a ready reserve of about 3.9 million men and an annual expenditure of about 650 billion dollars as by a near-total control over global mass media.

5. Johan Galtung and Dietrich Fischer, ‘The United States, the West and the Rest of the World’, unpublished MS.

6. That is why one of the most thoughtful intellectual responses to September 11, 2001 remains Wendell Berry, ‘In the Presence of Fear’, Resurgence, January-February 2002, (210), pp. 6-8; see also Jonathan Power, ‘For the Arrogance of Power America Now Pays a Terrible Price’, TFF Press Info 127, Transnational Foundation, September 13, 2001.

7. Peter Landesman, ‘The Agenda: A Modest Proposal From the Brigadier: What one Prominent Pakistani thinks his Country should do with its Atomic Weapons’, The Atlantic Monthly, March 2002.

8. Rajiv Vora, ‘11 September: Kaun si aur Kyun’, Unpublished Hindi paper circulated by Swarajpeeth and Nonviolent Peaceforce, New Delhi 2005; and Arshad Qureshi, ‘11 September 1906: Ek Nazar’, unpublished paper circulated by Swarajpeeth and Nonviolent Peaceforce, New Delhi, 2005.

9. An ethnographic monograph that nevertheless captures the other self of the Pathan in a moving fashion is Mukulika Banerjee, The Pathan Unarmed: Opposition and Memory in the North West Frontier (Oxford: James Currey, 2000). For a hint that this is not merely dead history but a living memory for many, see Ayesha Khan, ‘Mid-Way to
Dandi, Meet Red Shirts’, The Indian Express, March 22, 2005.

10. See an insightful, sensitive discussion of the way the same cultural resources can be used to legitimise and resist terrorism in Bhikhu Parekh, ‘Dialogue with the Terrorists’, in Colonialism, Tradition and Reform: An Analysis of Gandhi’s Political Discourse (Sage, New Delhi, 1989), pp. 139-71.

11. Eyyead Sarraj, quoted in Chandra Muzaffar, ‘Suicide Bombing: Is Another Form of Struggle Possible?’, Just: Commentary, June 2002, 2 (6), p. 1.


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Ashis Nandy, renowned political psychologist and social theorist, is a leading figure in postcolonial studies and arguably India’s best known intellectual voice of dissent. He is Director of the Centre for the Study of Developing Societies, Delhi. His recent awards include the Fukuoka Asian Culture Prize.

Monday, October 20, 2008

Bliss



Bliss is it in this dawn to be alive.

But to be in Bengal is very heaven.



Image: Bengal Landscape, Gaganendranath Tagore, National Gallery of Modern Art, New Delhi.

Thursday, September 25, 2008

Lawless



Calcutta is a lawless city. It struck me that foreign embassies and consulates might well be wary about issuing visas to people from this city, out of a concern for protecting the civic virtues of their land. Perhaps the same can be said about several other cities or states in India, or even all of India itself. I would not blame them. Like with the HIV virus, one can’t be too careful.

Surendra Munshi has written in today’s Telegraph about Calcutta’s lawlessness. I found that quite devoid of any substance. This is a subject I have been thinking deeply about, everyday, for almost twenty five years. And I have also been thinking seriously about this recently, together with some focussed study, in the context of a writing assignment. So yes, I have some perspectives. But this is something every citizen has to think about for himself or herself, making an effort to comprehend the complexity and diversity of the city, looking at one's own daily conduct, coming out of one's class subjectivity and making an attempt at arriving at a public perspective.

Habitual violation of the law – is not something that relates merely to the city’s poor and downtrodden, something they are compelled to do in order to survive. The biggest violator of course is the state itself, the govt of West Bengal. But to be precise, actually we do not have a govt here, we have a political party that is the supreme authority and not a leaf stirs in the state of West Bengal without the sanction of the party.

Callous disregard for law is also something characterising the lives and conduct of Calcutta’s elite and affluent citizens. Not for them such trivialities as law, for how then can they exhibit the power they possess by virtue of their wealth. And thus do they set a definitive example of how power is to be expressed when wealth is acquired by whatsoever means.

The final result of the lawlessness is that the civic fabric, the whole web of cooperation, civilty and ordinary decency without which human co-existence in a metropolis would not be possible, is completely torn. But no one seems to notice, or care or be alarmed. Everybody goes about their daily life as if nothing was amiss. But the results are there for all to see and hear. The bell tolls, for me, for you, for all.

I am reading José Saramago’s Seeing. Its about a capital city where seventy per cent of the voters cast blank votes in the national elections. And at the repeat election, eighty three per cent of the votes are blank. The authorities, seized with panic, declare a state of emergency and decamp from the capital. I just read a section where the president of the country makes a speech on television after escaping from the capital city. Though in the novel the citizens of the capital city were heroic, and the speech of the president is written satirically by Saramago, I thought the speech was a befitting one to deliver in all seriousness to the venal citizens of my city, Calcutta, to describe their epidemic of lawlessness.

“…You are now a lawless city. You will not have a government to tell you what you should and should not do, how you should and should not behave, the streets will be yours, they belong to you, use them as you wish, there will be no authority to stop you in your tracks and offer you sound advice, but equally, and listen carefully to my words, there will be no authority to protect you from thieves, rapists and murderers, that will be your freedom and may you enjoy it. You may mistakenly imagine that, guided by your free will and by your every whim, you will be able to organise and defend your lives better than we did using the old methods and the old laws. A very grave mistake on your part. Sooner or later you will be obliged to find leaders to govern you, if they do not irrupt like beasts out of the inevitable chaos into which you will fall and impose their own laws upon you. Then you will realise the tragic nature of your self-deception. Perhaps you will rebel as you did in the days of authoritarian rule, as you did in the grim days of dictatorship, but do not delude yourselves, you will be put down with equal violence and you will not be called upon to vote because there will be no elections, or if there are, they will not be free, open and honest like the elections you scorned, and so it will be until the day when the armed forces who, along with myself and the national government, today decided to abandon you to your chosen fate, are obliged to return to liberate you from the monsters you yourselves have engendered.”

Wednesday, September 24, 2008

Ramzaan, Calcutta, 2008

I had written two years ago about the gastronomic delights of Ramzaan in Calcutta. That was about the locality around the Nakhoda Mosque, on Chitpur Road. But for me, Ramzaan ki raunaq (the sparkle of Ramzaan) means the area around the Muslim Institute (off Haji Mohammad Mohsin Road). The lanes come alive, bedecked with streetside shops selling everything people buy for the coming Eid celebrations, and of course all the food stalls.

Last Sunday, I was there, to bid farewell to my friend Hasnain who was leaving for the US on a Fulbright scholarship. It was late afternoon, and people were busy shopping for fruits and vegetables for the approaching iftaar (fast breaking). A feast for the eyes (and nose). So, out came the camera and I clicked away, to share something of Ramzaan ki raunaq.



















Wednesday, April 30, 2008

Beijing photoblog

Here are some images from Beijing.































































































































View a slide-show of all the pictures from Beijing here.